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Chaturmaas

Chaturmaas

Chaturmaas

Chaturmaas

Right from the Devshayani Ekadashi which falls on the 11th day of the Shukla paksha, of Ashadh maas (4th Lunar month) when Sun enters in to Karka (Cancer) rashi, till the Devprabodhini Ekadashi, the 11th day of the Shukla paksha, of Kartik maas (8th Lunar month) of Vedic Panchang (calendar) Chaturmaas when Sun transits through Tula (Libra) rashi, is observed as a period of piety all over India.

 

It is believed that the Gods are asleep during Chaturmaas, hence the name Devshayani (Dev = god, shayan = sleep). This term is associated with the Yoganidra form of Lord Vishnu. When the Gods wake, this period ends, hence the name Devprabodhini (Prabodh = wakefulness). The Chaturmaas period is considered inauspicious for celebrations such as weddings, and reserved for religious practices such as penance, fasting, bathing in holy rivers, etc.

 

Chaturmaas (चतुर्मास) translated literally means ‘four months’, and begins in monsoon around June – July and ends by October – November. It is known by numerous names in different regions: Toli in Telugu, Aashadi Ekadashi in Maharashtra and Maha Ekadashi in the North. Devpoli, Padma Ekadashi, Hari Shayani Ekadashi are also some of the rare names.

 

Like all tradition, this has a logical explanation. Disease spreads quite rapidly with the coming of the monsoon. Observing fasts and purity rituals enhance health. In this season to avoid health issues like gastro or indigestion people refrain from consumption of onions and garlic during Chaturmaas.


Though events that mark rites of passage are not recommended, the Chaturmaas is full of festivals that celebrate the glory of the divine. The festivals celebrated are: Guru Purnima; Krishna Janmashtami; Raksha Bandhan; Ganesh Chaturthi; Navratri (Dussehra–Durga Puja– Vijayadashami); Diwali.

 

Let us read a story associated with the origins of Chaturmaas. King Bali was an Asura ruler, grandson of Prahlad. Afraid of his growing power over the trilokas, Indra prayed to Lord Vishnu for protection. Lord Vishnu visited Bali in the guise of Vaman, a brahmin boy. He asked the king for a gift of land that would be covered in 3 steps. Bali laughed at the meagre plea yet agreed to fulfil the brahmin’s wish.

 

Vaman grew colossal, and covered Earth in one step, and Swarga Lok in the other. Bali realised it was none other than Vishnu, and offered him his own head. This was the sign of true nobility- he gave up his own instead of turning the brahmin away. Vaman accepted his offer and with his step, pushed him back into Narak.

 

Pleased with his display of devotion, Lord Vishnu offered him a wish. Bali merely folded his hands and requested Vishnu and Lakshmi to live in his abode for one third of the year. Hence, the period of four months, Vishnu and Lakshmi rest in Bali’s home, and we observe meditative and atonement rituals.

This year, the Chaturmaas begins on Sunday, the 10th of July and ends on Saturday, the 5th of November.

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Why we light a Diya in the evening

Why we light a Diya in the evening

Why we light a Diya in the evening

Why we light a Diya in the evening

In the days before the advent of electricity, the evening meant darkness and the diya was the primary source of light. It was lit in the house altar to brighten the entire room, and accompanied with prayer for radiating positivity.


We associate light with knowledge, and see it as the destroyer of darkness and ignorance. Logically, light brings positivity because it decreases the fear and uncertainty caused by the dark. The quality of chaitanya can be explained as awareness or consciousness- characteristic of the spiritual form of God. A diya also possesses chaitanya, focussing our awareness on our surroundings.


This very awareness leads to learning, through which we accomplish our goals. Without knowledge it is impossible to make one’s way in the world. Bowing down to the lamp is also showing gratitude for knowledge.


Why not to light a bulb or tube light?


That’s a fair question, after all our goal is to rid the house of darkness, right? However, the traditional oil lamp has a further spiritual significance. The oil (or ghee) in the diya symbolizes our vasanas (deep-rooted rash desires) and the wick represents the egoistic impurities. When lit by the flame of pure knowledge, the vasanas slowly get exhausted and the egotism also perishes.


The fire element (agni) is the emblem of the Sun, the giver of life and energy. The flame (jyoti) always burns upwards, indicating the strength to withstand obstacles; it asks us to take the higher road and keep learning to reach the ideals we put before our eyes. The jyoti serves as a beacon of hope and faith.


Allow yourself the time to spend some time with the divine and let the silent conversation flow, for the lamp will be a witness to them.

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33 koti dev

33 Koti Dev

33 koti dev

33 Koti Dev

We’ve always heard people use the phrase “I’ve prayed to all 33 crore gods” or “By the witness of 33 crore gods”, but do you really think there are 33 crore gods in Hinduism? Let me help you understand. We have been using the literal translation of the word Koti, and assuming that there are actually 33 crore deities.

 

But we must understand that context matters a lot in language. In Sanskrit, the term “33 Koti dev” denotes that there are 33 types of deities, not 33 crore deities. It is believed that when God created the universe, he appointed these 33 spirits and deities to take care of the various objects within the cosmos.

There are five tiers to this system: 8 Vasus, 11 Rudras, 12 Adityas, 1 Indra, and 1 Prajapati. Each section of deities has its own designated category over which they rule.

 

8 Vasus: The name Vasu means majestic, glorious or giver of wealth. The Vasus represent the eight fundamental aspects of nature. In the Ramayana, they’re mentioned as the children of Sage Kashyap and his wife Aditi, while the Mahabharata says that they were born of Manu or Brahma Prajapati. Though their names differ in the Puranas, the following are the current ones in use:

 

Aap (Water), Dhruv (Constant, Polestar), Soma (Moon), Dhara (Earth), Anil (Wind), Anal (Fire), Pratyush (sun) and Prabhaas (sky). 

 

11 Rudras: According to the Vishnu Puran, Rudra is the fierce form of Shiva that originated while Shiva was in his Ardhanareshwar form. The male form was divided into 11 parts, some of which were gentle (white) while others were ferocious (dark). Their identities are Manu, Manyu, Mahat, Shiva, Ritudhvaj, Mahinas, Umrateras, Kal, Vamdev, Bhav, and Dhritdhvaj.

 

Similarly, the female half was divided into 11 identities which are known as Rudrani, namely:
Dhi, Vritti, Ushana, Urna, Niyuta, Sarpis, Ila, Ambika, Iravati, Sudha, and Diksha. 

 

However, they aren’t a part of the 33 Koti. Like the Vasus, the Rudras have various creators or fathers in each Purana, but they are always 11 in number.

 

12 Adityas: In the Rig Ved, they’re mentioned to be 6-8 in number, but they increase to 12 in the Brahman Shruti. The Mahabharata and Puranas state that they were birthed by Sage Kashyap and Aditi. It is believed that in each month, a different Aditya brightens the sky. The Adityas are as follows:
Anshuman, Aryaman, Indra, Tvashta, Dhanu, Parjanya, Pushan, Bhaga, Mitra, Varuna,
Vaivasvat and Vishnu (incarnated as Vaman).

 

1 Indra: Indra is the king of all gods, and controls weather, rainfall, thunderstorms, and rivers. He has been appointed the leader of the Vasus, Rudras, and Adityas in the Puranic texts.

 

1 Prajapati: He is the lord of creation, and the architect of the world. Some of us know him better by his other names, Vishwakarma and Daksh. He is Brahma’s son, born from his mind. In the Rig Ved,
he has been included as an Aditya with priestly skills.

 

All these together 8 + 11 + 12 + 1 + 1 make 33 Koti (or types) of gods. Now you can clarify if
anyone tells you that we worship 33 crore gods.

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Akshat

Akshat

Akshat

Every Hindu ritual ranging from an aarti to a marriage contains an element we often forget to appreciate. Today, we discuss about Akshata, the ceremonious rice grains so central to our faith and the value they add to customs.


Only whole uncut grains are used to make Akshata; the very name translates as unbroken (A-kshata, kshata meaning broken or cut). The exclusive usage of whole grains finds its origins in the trigunas; if the rice grain is broken, it may direct tamasik energies and the intact grain represents the satvik qualities. The preparation begins by rinsing (not soaking) raw whole rice grains (uncooked) and drying it in shadow. After that sprinkling turmeric or vermillion (Kunkum) over the dried rice and few drops of water, mixing it with gently and drying it again. They are stored in a sanitary place, such as the poojaghar, or altar.


The colour of the Akshata also defines the value with which it is offered to the deity, and what blessing one seeks. White Akshata are presented to Lord Vishnu (in his Satyanarayan form) and to Lord Shiva. The pure white hue represents nirgun or formless nature of these two deities and their tarak (salvaging) powers. The red, or vermillion Akshata possess a marak (annihilating) power that is represented by Lord Ganesh (in his Vignaharta form) and Goddess Durga.


You may have observed, if during a puja we lack a particular item, such as a different leaves or ornaments, the Pandit asks us to substitute them with Akshata. Such sacred value is given to the Akshata because of their ability to absorb and exude the chaitanya (positive consciousness) of rituals. It is the reason both Akshata and flowers are held in hands when chanting a pushpanjali or making a sankalp – it is similar to opening up our energy channels and imbibing the positivity in the divine environment.
In weddings, the virtues symbolized by the sacred rice grains are fertility and prosperity. The couple offers rice to Agnidev as a gift, as he is the first witness to their lifelong bond. When we shower them with colourful Akshata during the Fere / Saptapadi ceremony, we actually bless them for wealth and abundance. Earlier, weddings used to have only red, yellow and white rice but today we can see variations of colours that add to the vibrancy of celebration.


The bride is seen as an embodiment of the goddess Laxmi. In some traditions, she walks while throwing fistfuls of white Akshata behind her. It is symbolic of Laxmi taking their leave with a gift of continued prosperity, and bringing further riches to her new home by knocking over a kalash of Akshata.
May Laxmi bring you the purity and riches of the Akshata, and may we continue to share blissful energy throughout our homes with Akshata.

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Haldi - Kunkum

Haldi – Kunkum

Haldi - Kunkum

May it be any festival, ritual or celebration, haldi-Kunkum are an integral part of all Hindu customs. These hues are applied on the forehead, between the eyebrows in small circular tilaks. Each has its own significance and properties, lets learn about it.


In Ayurveda, Haldi has been used for both medical and cosmetic properties. Primarily, it is a first aid antiseptic that stops bleeding and prevents infection. Turmeric milk is prescribed for ailing persons due to its catalytic role in recovery. Application on the face gives the skin a glowing effect, reducing acne.


Haldi also has an important role in many Hindu ceremonies, such as the haldi ceremony before the wedding. It symbolises the purification of the bride, washing off her sins to begin a new fruitful life, transforming into a woman from a girl. The family applies turmeric liberally on her feet, hands and face, wishing her good luck for the future.


Accompanying Haldi is Kunkum, the red hue that represents Hinduism. It is applied by men and women and little girls too, the only difference being that men apply it in a vertical or round-styled tilak. Married women, along with the circular tilak, they apply Kunkum in their hair parting beginning at the forehead. This form is named Sindoor, and it symbolises her status as a suvasini /saubhagywati (married woman).


Kunkum is associated with energy and strength of a person, even bringing focus and calm in times of agitation. It is said to ward off the evil eye, or others’ maleficent intent directed at someone.


Women celebrate a function called Haldi-Kunkum. It is a social gathering in India in which married women exchange Haldi (turmeric) and Kunkum (vermilion), as a symbol of their married status and praying for their husband’s long lives. Haldi-Kunkum is celebrated on most of the festive days like Makar Sankranti, Navratri, Chaitra maas, Sharavan maas, Gauri-ganpati, Tulsi vivah, etc. It finds its origins as a means to encourage friendship and celebration of womanhood as there were restriction in old era.


It is also used to decorate the Kalash in pooja, pooja thali, rangoli, foot impression of the Lakshmi, arti and many other things related to pooja or festival. The presence of the Haldi Kunkum always brings auspicious indication to our mind.

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poorna kalash

Poorna Kalash

Poorna Kalash

Be it Satyanarayan Pooja, Gruha Pravesh, Marriage, Office Inauguration Pooja, etc. all the ceremonies share a commonality: the Poorna Kalash

 

Poorna Kalash is pre-eminently a Vedic motif in existence from the Rigvedic period. It is also called Soma-Kalasha, Chandra-Kalasha, Indra-Kumbha, Purnaghata, Poorna Virakamsya, Bhadra ghata, or Mangala ghata. It is referred to as “overflowing full vase” (poorno-asya Kalasha) in the Vedas. 

 

The Poorna Kalash is the centre of worship in all Hindu rituals. A traditional vessel (pot) made of copper/brass/sliver filled with water, with a Swastik drawn in Kumkum, mango leaves arranged in a circular pattern even partially dipped, and a coconut on the top. All this constitutes the Poorna Kalash.

 

Poorna Kalash symbolises abundance, wisdom, and immortality. It represents the divine form of Lord Vishnu. It is equated to the Amrit Kalash which emerged from the legendary Samudra manthan. 

 

The metallic vessel is symbolic of the earth and the womb, which nurtures and nourishes life. The water inside represents the life-giving ability of nature. The mango leaves are associated with Kama, the God of love, symbolize the pleasure aspect of fertility. The coconut, represents prosperity and power. 

 

Poorna Kalasha is also associated with the five elements or the chakras. The base of the vessel represents the earthy element – Prithvi Tatva; the expanded centre of the vessel is of watery element – Jal (Aap) Tatva; the neck of the vessel represents fire element – Agni Tatva; the opening (mouth) of the vessel is of airy element – Vayu Tatva, and the coconut and mango leaves possess the aether element – Akasha Tatva. The top of the coconut symbolizes (Shira) Sahastrar chakra and the base of Kalash (Moola) indicates the Muladhar chakra.

 

I hope this information helped and you will remember the significance of the Poorna Kalash in your next holy rituals.

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Rudraksh

Rudraksh

Rudraksh

The Rudraksh is a dried seed from a tree known botanically as Elaeocarpus Ganitrus. The name itself connects the ornament to Lord Shiva; the term is a combination of two words,
Rudra (the annihilator form of Shiva) + Aksh (eye) = Rudraksh

 

Though this identity is known for its fury, the rudraksh is worn to balance one’s physical and mental health. It is responsible for holding our feral side inside itself (Rudra) to help the rational side blossom and bring forth clarity.

 

There has been a myth regarding who can wear the rudraksh; it has been associated with sages and ascetics but anyone respective of age, gender, religious background and social status can wear one. Each kind of rudraksha has its intrinsic benefits in specific areas of life, and for specific people too.

They are differentiated on the basis of Mukha, which are the vertical ‘lines’ or clefts on the surface of the seed. Mukhas range from 1-21 but the more common ones are 1-14, the latter ones being rarer mutations.

 

• The Ekmukhi rudraksh represents the omnipresent Shiva himself and is advised only for sages as it symbolizes detachment from the tangible world to embark on one’s spiritual journey.
• The Dwimukhi is symbolic of Shiva’s Ardhanareshwar form wherein he unites his masculine and feminine energies, and it is recommended for married people as it supports their bond.
• The Trimukhi contains one’s fire element and helps one relieve stress that may have been caused by their past and improve their temper.
• The Chaturmukhi is associated with Brihaspati (Jupiter) and his knowledgeable self. It is recommended for those looking to rejuvenate their intellect, and also work on their timidity.
• The Shanmukhi (6-faced) is appropriate for children under 14 years of age to supplement their mental development and physical growth.
• The Saptamukhi is associated with Laxmi and is recommended for those in search of new financial avenues or earning opportunities

• The Ashtamukhi, also called the Vignaharta, symbolizes Ganesh and helps clear the obstacles in one’s path.
• The Navamukhi helps the wearer boost confidence and gives a stronger willpower. It is symbolic of Goddess Durga
• The Dashamukhi is associated with Vishnu, and helps the wearer maintain their calm amid chaos. Like the Navamukhi, it boosts self-esteem.
• The Ekadashmukhi is believed to give the wearer a sense of objective judgment and immense control over his senses and vocabulary
• The Dwadashmukhi is known for its benefits of vitality and radiance. It is associated with the bright side of the Sun and gives the wearer a sense of determination.
• The Gauri Shankar (13-faced) is recommended for everyone above 14 years to maintain inner balance- it is believed to balance one’s Ida and Pingala nadis (lunar and solar energy channels) that are responsible for vitalizing the seven chakras.
• The Chaturdashmukhi is associated with Hanuman, and hence dedication and strength.
• The Panchadash and Shodash are recommended for alleviation of physical ailments, the former being associated with the Anahata (heart) Chakra and helping the wearer cope with depression, as well as cardiovascular and respiratory issues.

 

The most common out of all these is the Panchmukhi rudraksh, which is known to have a calming effect on the mind and increase in concentration power. It also enhances one’s memorizing abilities.

 

But we need to keep in mind that wearing of a rudraksh is a commitment, and that it should be done according to the prescribed customs, it must be consecrated before wearing/ using it. Note that the size doesn’t affect the powers of the ornament but how we maintain it. It should be conditioned and energized before wearing; tradition guides the wearer to first soak the seed in ghee for 24 hours, and later in whole milk for the same amount of time. It should be wiped with a clean cloth before use. It needs to be conditioned and energized every six months to a year.

 

Akin to a Brahmin’s sacred thread, the rudraksha becomes a part of the wearer’s body and aligns itself to that person’s own energies. Once the oath is taken, it is not advisable to put it away like jewelry or share it with anyone. When performing personal hygiene routines, one can hang it in a clean place or wrap it in a soft cloth to keep it safe from damage.

 

Until now we talked about the rudraksh in a pendant-like form. Now we move to rudraksh rosaries (jaap mala), which have a similar method of conditioning. A general chanting ritual consists of 108 reiterations, but it isn’t necessary that a rudraksh mala should contain 108 beads. The recommended length of a rosary is 84 beads, as 108 beads elongate the mala and increase the chances of it coming into contact with other objects.

 

May the Rudraksha guide you towards stability and calmness.

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Shiv Shankar Shambho

Shiv Shankar Shambho

Shiv Shankar Shambho

We often come across this phrase when chanting but do not give much thought to its word origin and conveying meaning. Through this blog, we will discover the distinction between Shiv and Shankar, as well as familiarize ourselves with the various forms of Shiva.


Shiva, Shankar, and Shambho are different names belonging to the same deity. Shiva is the Supreme Being himself. In a way, Shankar was created from Shiva. How? We pray to the Trinity of Brahma, Vishnu, and Mahesh, wherein Mahesh is created from the confluence of the words ‘Maha’ and ‘Eesh’, the latter being the word root of ‘Eeshwar’.


Shiva is considered to be the creator and the destroyer, and he symbolizes the cycle of life on earth. His Veerbhadra form is the expression of his destructive and devastating nature. It is believed that the first ray of consciousness or enlightenment that emerged from nothingness is Shiva. No one created Shiva, he is the creator himself, which is why he is addressed as Swayambhu. Shiva has existed before the conception of Shankar and predates the Vedic scriptures as well. He has been worshipped through a Shivaling, which represents simplicity and spirituality. The moniker ‘Sadashiv’ is also based on this form, signifying an omnipresent being or someone who is cool as ice. Shiva is depicted in images as a solitary being clothed in tiger hide and following a hermitic way of life. He embodies minimalism and innocence, a god who doesn’t ask for grand rituals, sacrifices or radical renunciation, but only loyalty, faith and belief. If a devotee only prays to him from his heart, Shiva is satiated and showers blessings upon him. Due to this, he is also named Bholenaath, the innocent lord.


The name Shankar is often paired with Parvati; a lot of times we say “Gauri Shankar” or “Shankar and Parvati”, but “Shiva Parvati” is seldom used. Shankar was created when Parvati (a woman) accepted an austere renunciation with the goal to marry Shiva, who appeared in the man-like form of Shankar. Who was earlier withdrawn from all material desires, and had achieved enlightenment through spirituality had now become a man drawn to the tangible world.


Sati sacrificed herself to the holy fire in the hawan, and the marriage to Shiva couldn’t happen. This infuriated Shiva and empowered his Raudra (calamitous) form, where the name ‘Rudra’ came into being. When Shiva abandons courtesy and discipline to unleash his animality, ferocity and Agni element, he becomes Rudra. He does not care for logic, reason or balance, and his primary goal is to extinguish all feelings of anger to bring back Shiva. This avatar emerged before the Shankar.


When he was wedded to Parvati, Shiva left behind his hermitic, ascetic lifestyle to become Shankar, embodying societal bonds, and marital life. Though Shankar is a family man, he doesn’t symbolize materialism itself for Shiva never goes beyond his composure. Even Rudra merges back into Shiva once his fury is expressed, hence Shankar is not materialism but a deity involved in the tangible world. This socialization brought forth his expression of affinity towards others. This is where the image of Shankar that we’re familiar with through temple idols was born.


Shiva and Shankar are not two different entities but one; Shankar is a part of the circle of life that Shiva embodies. To make the distinction between these two forms easier to understand for the layman, images of the hermit were circulated. Shankar is the deity whose icons we worship, and Shiva is a cosmic being who is omnipresent.


Shambho (Shambhu) is a word that was formulated through the spoken form of language; we discussed above that Shiva is addressed as Swayanbhu. If we chant the name over and over with some momentum, we can only hear “Shambho Shambho”. This is how Shiva became Shambhu.


Let us bring this Shiva in our remembrance:
“Jai Shiv Shankar Namaami Shankar Shiv Shankar Shambhu ॥
Jai Girija Pati Bhavani Shankar Shiv Shankar Shambhu ॥“

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Celebration Of Rangpanchami and Holi

Celebration Of Rangpanchami and Holi

Celebration Of Rangpanchami and Holi

By tradition, we play colours on both Rang Panchami and Holi. Actually, Holi is to be celebrated on the day following Holika Dahan. Earlier, people played with the ashes of the previous night, but now-a-day it is played with colours. In Maharashtra as well as some northern parts of the country, Rang Panchami is celebrated on the 5th day from the Dahan with Gulal, but modern times have introduced a plethora of vibrant hues too.


It is believed that when the holy fire is lit, all negative qualities including Tamasic and Rajasic traits are eliminated. These negative aspects are believed to cause hindrance in one’s path to attain Moksha, liberation from the cycle rebirth. So, after they are extinguished, one is left with only the ashes of Sattvic Guna, which are positive in nature. This Guna helps in the path to salvation. Hence the next day is celebrated with the ash of Holika Dahan which is called Holi. Holi is also known by the names Dhulendi, Dhurdi, Dhurkhel, Dhulwad, Dhulivandan, and Chait Badi.

 

Rang Panchami falls in the Phalguni lunar month, on the Panchami Tithi of Krishna Paksha (as per the Amavasyant calendar) and Panchami Tithi, Chaitra lunar month, Krishna Paksha (as per the Purnimant calendar) 5 days after Holika Dahan. It is said that the Holi festival is celebrated for five days depending on the regional variations. It has various names such as Hori, Dolyatra in North, Shimga, Holi in Maharashtra, Kamdahan in South, Dolyatra in West Bengal. It is also called Vasantotsav or Vasantagamanotsav, to welcome the Vasant (spring) season.


Rang Panchami celebrates the existence of the Panch Tatva, or the five elements (Agni, Pruthvi, Vaayu, Jal, and Aakaash). These Tatvas are the source which helps activate the element of the Deities according to the spiritual emotion of the Jiva by throwing a red, fragrant powder (gulal) and splashing colored water on each other. This festival not only symbolizes season change but also gathering for happiness, equality, music and dance.


Every region has different names and traditions but all the festivals are associated with colours, so wherever you are and whatever you call it, just celebrate the happiness from the bottom of the heart.
This year the celebrations will be on:


Holika Dahan on 17th March 2022 Thursday. Poornima is starting at 01:30 pm
Holi /Dhuliwandan on 18th March 2022 Friday. Poornima is ending at 12:48 pm so Holi will start after this.
Rang Panchami on 22nd March 2022 Tuesday. Panchami Tithi starting 06:25 am

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Disclaimer: Astrological services are based on information given by clients and the Astrologer (author) is not liable and responsible for any correctness of analysis or any loss occurred due to the analysis as the same is given basis on the planet status as of the day of prediction.

Holika Dahan

The legend of Holika Dahan

The legend of Holika Dahan

Next week we will be celebrating Holi, the last festival as per the Vedic calendar and the second festival per the English (Gregorian) calendar. We have been celebrating Holi since time immemorial but we hardly try to find the tale behind this festival. In this post, we will learn about the legend associated with this festival and how we should celebrate it.


The legend that goes behind ‘Holika Dahan’ is that of King Hiranyakashyapu and his son Pralhad. King Hiranyakashyapu was granted a boon for his severe penance. The boon was that he could be killed neither by any Astr nor by any Shastr, neither indoors nor outdoors, neither at day nor at night, and neither by any human nor by any animal. This boon made him as good as immortal. With this boon, he considered himself invincible and ordered that only he should be worshipped as God in his kingdom. He started a reign of terror and punished and killed anyone who did not accept his orders.


However, his son Pralhad disagreed with him and refused to worship him as a god. He continued worshipping Lord Vishnu. This made Hiranyakashyapu furious. He tried various enchantments and other measures to influence Pralhad against Lord Vishnu but failed in all his attempts. Pralhad fearlessly continued his worship to Lord Vishnu. When the king learnt that Pralhad will remain unaffected by any of the attempts and will not worship Hiranyakashyapu as a god but continue his devotion to Lord Vishnu, he became so angry and upset that he decided to kill Pralhad. 


As his last hope, Hiranyakashyapu called his demoness sister, Holika for help, who was also gifted with a boon that made her immune from fire. The king ordered to prepare a bonfire and asked Holika to sit with his son Pralhad in her lap so that he will be burnt to ashes. But, Holika was unaware that her boon would work only if she was alone in the fire. Thus, Pralhad, who kept chanting the name of Lord Vishnu, remained unharmed and Holika was charred to death.


Thus, as a remark of this incident, Holika Dahan became prevalent. Holika Dahan is performed after sunset on the Poornima (full moon) of Shulka paksha in the month of Falgun. People gather wood sticks, cow dung cakes, dry grass, etc and two effigies, one of Holika and one of Pralhad are placed in the fire. The effigy of Holika is made from any flammable substances while the effigy of Pralhad is made from substances that cannot be burnt. In Maharashtra, there is a custom of making Puranpolis as naivedya (an offering to God). There is a practice where the children play timki (a percussion instrument) and the elderly shout obscenities. Holika Dahan is a custom of dispelling the evil and removing the feeling of enmity from within.


Dhulvad is celebrated the next day. When the fire cools down, people play with the remaining ashes. It is believed that the applying of the rashes significantly decreases the amount of sweat rash caused in summers. But, in present times the ashes are replaced by chemical or organic colours.

Contact

Home Address

Phone No. : 91+ 749 9846 591

Email: mrunal@vedikastrologer.com

Address: Plot D-2, Telco Soc no 14, Sector 24, Kanch ghar chowk, Pradhikaran, Nigdi, Pune 411044

Office Address

Address:  Vision Plus, Datta Nagar Rd, Block B6, Datta Nagar, Transport Nagar, Nigdi, Pimpri-Chinchwad, Maharashtra 411044.

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Disclaimer: Astrological services are based on information given by clients and the Astrologer (author) is not liable and responsible for any correctness of analysis or any loss occurred due to the analysis as the same is given basis on the planet status as of the day of prediction.